Molly Pastor: Describe a signature Amelia Handegan
room.
Amelia Handegan: Quiet is the first word that comes
to mind. A room should look as though it has evolved over time and should
be inspired by many styles and periods of furniture and art. Beautiful
colors and a multitude of textures are a must. I would say that my
"signature" room has one foot in the past and one foot in the
future.
MP: What would you consider to be the most important
foundation of a room?
AH: My approach is intuitive and often surprises me.
Inspiration can come from the most unlikely or simple thing, such as a
green leaf that catches my eye before I walk through the door or a
beautiful antique that I saw weeks before. Favorite pieces owned by clients
have served in the past, as have art exhibitions and, of course, the houses
themselves.
MP: Is there anything that we will never see in an
Amelia Handegan room?
AH: Bows.
MP: Do you have a favorite color combination
right now?
AH: It changes almost daily! But I've always
loved brown with almost any other color; especially with shades of pumpkin
and green, or with ochre-tinted yellows. I also use brown with blues,
pinks, lavender, and gray. Actually, the colors I like best are hard to
distinguish and cannot be immediately named. Is it blue or gray, gray
or green, orange or red?
MP: What are your five favorite paint colors?
AH: Farrow & Ball's Light Blue and Wall
White; Martin Senour's Granary and Pumpkin Seed; and Benjamin
Moore's Indian White.
MP: Do you have a favorite off-white for walls?
AH: Having a favorite in this case won't do.
White is so reflective that everything else in the room, including the
light, needs to be considered. Also, consider whether you want to take it
in a warm or cool direction. I recommend (as with all paint colors) first
buying a quart and painting a three-foot square on the wall. Visit it
several times a day in different light to see how it looks under all
conditions. Despite my experience, I still routinely do this.
MP: What is your theory on trim colors?
AH: Bright white should be avoided when used with
medium to deep wall colors. It's best to have the trim read as
off-white or creamy beige. Of course, with bright white or pastel walls,
white is fine, but I still prefer to "knock it down" with pale
pinks, blues, or gold. I've never liked high contrast between walls
and trim.
MP: What are some key ingredients to a successful
bedroom?
AH: A really beautiful bed, great quality linens, and
the very best lamp shades. I often use antique beds. I love handsome West
Indian and early American four-posters. As far as lamp shades go, my
favorites are box-pleated silk. And while expensive linens can make all the
difference, I never tire of inexpensive hand-blocked Indian bedspreads.
MP: We've noticed that you sometimes layer
Oriental rugs over sea grass. Why?
AH: Because we can control the size of the sea grass,
but not the size of the Orientals, and layering creates more texture and
warmth. I also like the way the sea grass takes the Oriental rug down
a notch in stature, so it's less formal and more inviting.
MP: Do you have a favorite upholstery style?
AH: Tailored, with an exaggerated skirt that drops
from the deck of the chair or sofa.