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Curtains Unlimited
New Orleans designer Heidi Friedler encased a bay window in her family room with bright green panels and a coordinating valance.
(Photo: Michel Arnaud)
Celadon-and-cream broad-stripe silk draperies diffuse the light in and add drama to this Dallas dining room by designer John Bobbitt.
(Photo: Pieter Estersohn)
Hardware: Rods, Rings, and Finials

Designers often put as much thought and custom detail into the hardware as they do the curtain panels themselves.

· "We might use mahogany or walnut poles or poles that have been ebonized, gilded, or japanned. We use steel or dark iron for more informal settings, and finer wood for more formal or traditional rooms."
- Alessandra Branca

· "We might glaze rods the same color as the paneling in a room, so that they almost disappear, or we might pull a color from the wallcovering for the rod and add giltwood finials. However, if the color is too different from the ground color of the draperies, it creates a horizontal line at the top of the window that is distracting and brings the eye down." - William R. Eubanks

· "You want to have rods and rings that are in proportion to the size of the room and windows. In a generous room, that might mean a three-inch-diameter rod. There's nothing worse than skimpy rods and rings that look like they don't support the weight of the curtains." - Mitchell Brown

· "I like brown bronze rods, with just buttons on the end -- very clean, very pretty. No gilded poles or oversize finials." - David Mitchell

· "I find that wood rings and brackets tend to be too big and clunky, so I might use a wood pole with metal rings and metal or gold doré finials."
- Jackye Lanham


SPECIAL CASES

Palladian windows: Despite the popularity of this type of window (a large center window topped by an arched window and flanked by two side panels), designers agree that Palladian windows are one of their biggest challenges.

If the window cannot be left uncovered, curtains can be hung above the arch. The consensus is that the rod should not be hung at the bottom of the arch because that bisects the window.

Another option for arched windows is to hang a soft shade or swag that follows the curve, with matching shades on the adjacent windows. Thomas Jayne suggests using a curtain similar in color to the walls so it blends in rather than calls attention to itself.

French doors: Curtains should completely clear the doors so they can open. Or mount Roman shades onto each door. Thomas Jayne once designed flat panels with buttonholes that attached to small brass cleats.

If a wall or room is lined with pairs of French doors, consider running a rod all the way across the wall, or a track all the way around the room, and flanking each set of doors with curtains. "What you don't want to do is have one long valance and one set of curtains for multiple sets of French doors," says Cathy Kincaid.

Bay or bow windows: Bay windows are often best addressed with shutters or soft fabric shades. Another option is to hang floor-length curtains on each side, and possibly run a cornice or valance across the top of the window. Custom curtain tracks can be curved or angled to match a bay or bow window.

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