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Villa by the Bay
Florida architect Rafael Portuondo draws on Palladian precedents for a stunning Biscayne Bay residence
In back, the two-story loggia allows for easy outdoor-indoor living and defines the pool. Irregularly shaped pieces of exotic coquina stone placed in a random pattern create pathways across the grass.
The Douras use the second-story loggia for cocktails and dining, as well as for simply sitting and gazing out at Biscayne Bay.
Architect Rafael Portuondo's attention to detail is evident in the pouring of the simple but sophisticated columns and the finish of the concrete.
by Beth Dunlop
Photos by Carlos Domenech


The house Rafael Portuondo designed for Renaud and Anick Doura is a romantic one with storied antecedents. An Italianate villa built on the shores of Miami's Biscayne Bay, it is situated on one of the many islands of the old-fashioned causeway that links Miami and Miami Beach. With cruise ships coming and going, sailboats floating by on aqua waters, and the downtown skyline glimmering in the distance, it has a view that most people can only dream of.

The Douras had traveled widely, and after carefully studying the work of master architect Andrea Palladio, they knew they wanted their house to pay homage to those Renaissance villas of the Veneto -- part Villa Almerico and part Villa Foscari. But the land they owned did not sprawl across the Northern Italian countryside. It was a single city lot, almost square in shape, "so the house needed to be compact," said Portuondo, whose Miami firm Portuondo Perotti Architects is known for houses that evoke the many centuries of architectural history.

The house also needed to be very tall, with the first habitable floor some 15 feet above sea level to comply with floodplain requirements. To minimize this, Palm Beach landscape architects Jorge Sanchez and Phil Maddux of the firm Sanchez & Maddux devised an elegant solution -- a long, low staircase of French limestone and grass. The ascent is gradual, giving the building a more solid place in the landscape.

The Douras wanted a house with a timeless air, one that defied instant classification and that some years hence might have observers wondering just which decade it was from. The roof is copper. All the architectural details are stucco, and the windows are mahogany. The columns are real, serving a structural function. "They're traditional, engaged columns," says Portuondo. The granite walkways are composed of 18th-century stones that were once ballast on sailing ships.

As you face the house, limestone steps lead to the front door, which is flanked by six royal palms almost as tall and imposing as the house itself, along with a lavish procession of foxtail palms, pinwheel jasmine, Japanese boxwood borders, and potted calamondin trees.

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