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| Porto Bello Restored |
| When Sally Quinn and Ben Bradlee fell for this crumbling 1740s estate in Maryland, they chipped through layers of paint to uncover the original character of the house, now a retreat that honors its past, present, and future |
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Writer Sally Quinn and Ben Bradlee, former executive editor of
The Washington Post, enlisted the help of D.C. architect Stephen Muse for the Porto Bello restoration. |
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Even in its weakened state, Porto Bello's voice resonated. It was built in the 1740s by William Hebb II about the same time George Washington's half-brother, Lawrence, was building Mount Vernon. (Photo: Bill Snead) |
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Muse adhered to historical precedent in designing the manor's new columned porch. |
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by Ben Brown
Photos by Erik Kvalsvik
If you were searching for an ideal candidate for
historic preservation near the nation's capital, Porto Bello, in
southern Maryland, would seem an obvious choice. Unless, of course, you
were bothered by the caved-in roof, the decaying brick walls, and the
rotting floors.
"It was awful, just awful," remembers
Washington, D.C., architect Stephen Muse. "But when you squinted your
eyes, it had great bones." "It was a ruin," admits Sally
Quinn, who with her husband, Ben Bradlee, hired Muse for the restoration
project. But to Quinn, that was the point. "I love ruins," she
says. "I have to feel that the house is saying, 'Come save me.'" Even in its weakened state, Porto Bello's voice
must have resonated. It was built in the 1740s by William Hebb II about the
same time George Washington's half-brother, Lawrence, was building
Mount Vernon. The setting was also historic. The Colonial-era manor is
perched upon a pastoral bluff overlooking St. Mary's River, a
tributary of the Potomac, and the nearby town of St. Mary's City was
capital of the Maryland colony for much of the 17th century. So the
house's credentials were impeccable. But to restore it to livable
condition would require more energy, talent, and money than it would take
to tear it all down and begin again -- which made it the perfect
project for Quinn. "When she called about Porto Bello," says
Muse, "there was a special tone in her voice." There was also a
built-in sense of urgency. The collapsed roof was already endangering the
interior, and the structure of the house needed stabilizing before
work could begin. The couple closed on the house in the spring of 1990,
moved into a quickly renovated guest cottage on the property that summer,
and helped supervise a renovation faithful to the spirit of the 18th
century and, eventually, comfortable enough for year-round family escapes
from D.C.
Muse and his clients weren't tempted to modify
the interior to squeeze in more than the existing three bedrooms and two
baths. For guest quarters, there are updated outbuildings. The nods to
modernity are the single-room wings on each side for a kitchen and a
sunroom; both have large windows to capture river views. Although
it's clear the wings postdate the main house, they show reverence for
style and place in the overall design.
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