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| The Disappearing Kitchen |
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The Transformation
Originally an exterior
sunporch, the 10-by-21-foot room had been converted into a basic L-shaped
kitchen by the previous owner. The unusual 12-foot-high curved ceiling,
Palladian doors, and windows are all original to the house. A wall of
elegant cabinetry, painted a rich red, conceals as much of the kitchen
appurtenances as possible while contributing to the library feel. A
generous table can be pulled away from the wall, if desired, and the
leather wing chairs and stools pulled in for dining.
Architectural Elements
· Cabinetry designed by Pursley and custom-built
by Goodman Millwork Company in Salisbury, North Carolina, is crafted
with raised-panel doors, deep crown moldings, and details such as turned
and tapered legs. "The whole thing was a game of inches," says
Pursley. "The refrigerator door misses the cabinet leg by half an
inch, so you must have excellent craftsmanship -- intricate details such as
these can only be done by hand. That's the deceiving thing about
small spaces -- everything has to be perfect."
· Instead of the typical recessed toe kick --
the panel at the base of the cabinet -- which would contradict the
furnished feel, the architect designed a projected toe kick with base
molding to stay within the classical language.
· The cabinets and walls are painted in Farrow
& Ball's aptly named Reading Room Red, then aged with a black
glaze.
· Besides the refrigerator and pantry cabinets,
there are no upper cabinets, leaving room for eye-catching art -- in this
case, a landscape painting by Chas Fagan.
· Sisal covering on the floors works for this
part-time kitchen, making the room feel less utilitarian and more like a
living space.
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