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  Stroll the Carithers Garden
Garden Style
Dan Carithers' terraced and layered garden features traditional plantings, topiaries, and informal parterres
Designer Dan Carithers is as detail-driven in his garden as he is when creating his signature interiors.
The rear garden extends up a slope from the house. A granite obelisk anchors a parterre garden.
by Danny C. Flanders
Photos by Roger Foley


The late afternoon sunlight pierces Dan Carithers' Atlanta home like a laser beam, bouncing off his prized creamware collection and casting shadows across the living room, which is strewn with Continental antiques. The nationally acclaimed designer admires the effect with pride because he planned every detail of these poetic, light-drenched interiors, as he does all of his decorating projects. When his gracious Buckhead home was remodeled, seven sets of French doors were added so that nearly every room opens to the garden. A new garden design became the centerpiece of the remodeling project, with charming views placed deliberately on axis with the house.

"I landscape from the inside, not from the street -- I don't live in the street," says Carithers in his shoot-from-the-hip style. "So often, people have a pretty garden, but they can't see it or enjoy it from inside." He is as sentimental about his yard as he is about the house, and he executed the garden design with the same take-charge precision and impeccable style. Scattered like tokens throughout the verdant green-and-white-themed garden are old-fashioned plants and vintage ornaments, such as statuary, architectural fragments, obelisks, and benches -- each representing a personal memory.

"Originally, this area was just a bog," says Carithers of a horseshoe-shaped outdoor room. Undeterred, the designer picked up his drafting pencil, designed a new layout, and transformed the backyard "bog" into a supremely civilized garden space.

With the help of Atlanta landscape architect Spencer Tunnell, Carithers mapped out a design that included several formal rooms anchored by informal boxwood parterres. The goal was to create a garden that looked as established as the house, which was built in 1937. "I chose Spencer because of his great affinity for old gardens and classical design," he says.

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