Formal Gardens
  A Cottage Garden
  Stoneleigh Farm
Hidcote Manor Garden
Accompany North Carolina-based landscape architect Chip Callaway through this Cotswolds garden
In this four-square garden room, boxwood hedges frame beds of roses punctuated with shapes that landscape architect Chip Callaway says resemble snails. The arches in the tall yew walls echo the eyebrow-shaped windows of the house beyond.
This passageway leads to an expansive view of the English countryside.
Separate garden rooms at Hidcote "create different experiences as you walk through," says Callaway, shown in a client's garden.
by Jennifer Chappell Smith
Photos by Jerry Harpur


Grand gardens in England, France, and Italy inspire garden designer Chip Callaway. Since the 1970s he has toured many, spending lots of time with fellow garden lover and friend Jackie Fielding of England.

"It is sort of like a scavenger hunt of the best of English gardens," says Callaway.

One night, around a fire at Fielding's Dorset home, she posed a tough question: "After all this, what's your favorite garden?" Callaway balked. There were more than 50 on his list, private and public spaces that they'd traipsed through together from early morning until sunset through the years. But at last, he shocked his friend with his final answer: Hidcote Manor Garden.

Fielding had to agree it's a lovely place. But she, who reveres British female garden designers such as Gertrude Jekyll, Penelope Hobhouse, and Rosemary Verey, was surprised, outraged even, because the quintessential English garden of Hidcote was designed in the early 20th century by, of all things, an American. True, Major Lawrence Johnston was born in France, was educated at Cambridge, became a British subject, and fought in the British Army, but he was American nonetheless, part of a wealthy Baltimore family.

"Jackie said, 'Not only was Hidcote designed by a man, it was designed by an American man!' She thought my choice was the height of cheap," Callaway remembers, chuckling.

But together the pair had walked through Hidcote, marveling at Johnston's ingenuity and how his ideas have been maintained through the years. Located near Chipping Campden in Gloucestershire and purchased by Johnston's mother in 1907, Hidcote just celebrated a century since Johnston transformed 10 acres of estate grounds into a masterpiece of garden design. "He was among the first to create gardens as a series of 'rooms,' each dramatically different from one another," Callaway explains. "Johnston was a genius at providing strong architectural elements, such as boxwood and yew topiary, to give the gardens great structural interest even in winter, let alone during the milder months."



ENGLISH LESSONS

Hidcote enchanted Chip Callaway not only on his first visit, but also on almost a dozen more since. What he's seen there affects his design philosophy back in the States. Here, he identifies elements of Hidcote that can influence anyone's garden design.

· Sparing use of architectural elements. Hidcote shows restraint when it comes to structures such as gazebos, pergolas, statues, and the like. "It's not overdecorated at all," Callaway says. "The stars of a garden should be plants, not sundials and statues and all the tchotchkes. My rule for art in the garden: few, fine, and far between."

· Verticality. "The garden walls are spectacular, and the hedges are incredible," Callaway says. "In some gardens, the walls are completely green. Here, the walls are made of wonderful plant material so that you have red leaves, green leaves, and gray leaves." The height of the hedges and walls also adds to the experience. "When you're standing in one of the gardens, you can't see over the hedges. Each room is an entity in itself that envelops you. It's a wonderful sense of anticipation."

· Creative use of color. A pastel palette in the space just behind the manor contrasts with the fiery reds and oranges in another area.

· Natural elements. "The materials are so honest, with the stone and all the quintessential English elements," Callaway says. "Strong central paths of sod have beautifully articulated sequences of plants, from low to medium to tall, walled in either by brick or by yew hedges."

1 | 2  NEXT BACK TO TOP