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Old-World Garden
The parterre garden off the loggia consists of perfectly clipped box bushes that frame the cross axis of a quatrefoil. Pennsylvania ledgestone paths contrast with crushed-granite cross patterns.
The motor court entrance is defined by a graceful curve of geometrically laid Granbury limestone. Layered hedges consist of Asian jasmine, 'Winter Gem' boxwood, and 'Dwarf Burford' holly.
The pool and pool-house garden are nestled into the southeast corner of the property. The terrace is shaded by 'Natchez' crepe myrtles, and containers hold mature lemon trees.
The scheme evolves gently and underscores the sense of symmetry and asymmetry, openness and containment. The overall design features several lawn panels defined by structured hedge borders that appear in the distance like perfectly etched slabs of green. Within each tableau, there is a rhythmic repetition that compels visitors to carefully explore subtle nuances of texture, fragrance, and color. Geometric stone patterning, relieved by areas of gravel, and antique ornaments and planters add a sense of permanence and age.

Fields softened the exterior of the house with a mixture of crossvine, English ivy, and Boston ivy. "Boston ivy grows faster than the others," he says, "so we were able to achieve that green look and sense of age within the first year." As a bonus, the three plants create seasonal interest throughout the year.

Since timelessness is not created with timid foundation plantings, Fields and the homeowners decided to use important mature plants, such as the enormous 'Winter Gem' boxwood globes that intersect the balustrade, the columnar 'Natchez' crepe myrtles that separate the pool garden from the other spaces, and the preexistent huge live oak that shields the pool house from the motor court. Additionally, Fields layered most of the hedges to create textural depth, and he also limited the introduction of flowers to container planting.

"Most people are satisfied with a little bit of foundation planting all around a house," says Fields. "In contrast, this plan imbues the scene with a greater sense of scale and importance. I also think that the use of select colored flowers in antique containers creates a more residential feel than an overpowering mass-planting of color that seems out of scale and corporate. In our climate, green is more soothing, and besides, this is about the bones of the garden, not seasonal splashes of color."

Even without lots of color -- Fields favors mostly white flowers because they look wonderful at night -- the garden is both radiant and inviting year-round. Besides providing a drop-dead backdrop for parties and charity events, it is also serene outdoor space where the couple enjoys strolling, relaxing, and reading by the pool.

"In all my projects, I like to step back and look at the house and garden together," says Fields. "I feel a real sense of accomplishment if they look as if they grew up and evolved together. In this instance, there is complete and utter harmony."



RESOURCES: Landscape architecture by Paul Fields, Lambert Landscape Co., 214/350-8350, lamberts.net; architecture by Overton Shelmire, Beran & Shelmire Architects, 214/522-7980.
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