|
 |
 |
 |
| Plant Talk |
| Assigning connotations to plants, flowers, and herbs to circumvent the strict social code, lovelorn Victorians cultured an enduring "language of flowers" |
 |
 |
 |
 |
 |
Each flower and herb in this arrangement has a particular significance. With parsley, rosemary, mint, sage, mimosa, tulips, ranunculus, jasmine vine, muscari, heather, and hyacinth, the cheerful bouquet symbolizes love, celebration, and endurance. |
 |
 |
 |
 |
 |
 |
In the Victorian era, this bouquet of lavender blossoms and foliage could hold a double meaning. |
 |
 |
by Lucy Anderson
Photos by Becky Luigart-Stayner
"There is a language 'little known,'
Lovers claim it as their own.
Its symbols smile upon the land,
Wrought by nature's wondrous hand;
And in their silent beauty speak,
Of life and joy, to those who seek
For Love Divine and sunny hours
In the language of the flowers."
So wrote a poet in 1913 known only by his initials, FWL, and his signature,
"Father." Long linked with lovers and poets, flowers present a mythology of
innuendoes. One of the earliest assignations comes from the Chinese, for whom
the lotus flower symbolized perfect truth and purity. The Romantics also explored
the symbolism of blooms, praising flowers and identifying with them in memorable
works. Wordsworth famously glorified a field of daffodils. Keats likened his
love's brow to a lily and her cheeks to a fading rose. But it was the Victorians
who cultured an entire system of connotations, eventually yielding the "Language
of Flowers." So discreet was courtship during the Victorian era that a man could not publicly
declare his love for a woman, nor could she respond in kind. Lovelorn Victorians
found they could circumvent the social code with carefully chosen flowers. They
exchanged bouquets containing secret messages. The number of leaves on a branch
might indicate the date and time of a rendezvous, for example, while the blooms
themselves expressed the sender's feelings. Thus the language of flowers was born, and lists began to circulate. An orchid
meant ecstasy; the sweet pea signified lasting pleasure; a daffodil stood for
chivalry; the violet was a pledge of faithfulness; a red rose represented true
love. But not all meanings were encouraging. The narcissus suggested egotism
and the buttercup expressed ingratitude. The yellow rose spoke of jealousy,
while the dahlia told of instability. To make the code even more enigmatic, flowers often had double or contradictory
meanings. The amaryllis could mean pride or timidity. Delphiniums indicated
either a flight of fancy or an ardent attachment. Lavender could impart distrust
or loyalty. Decoding these bouquets became something of a parlor game -- quite
the rage of the prim and proper era. The code slipped from popularity as social norms relaxed, but some flowers
have retained their significance -- especially those associated with love and
romance. For example, fennel placed in a bride's bouquet proclaims her "worthy
of all praise." Peppermint relays warmth of feeling, and sage implies domestic
virtue. Stephanotis, another popular wedding flower, stands for marital happiness.
When considering a bouquet, modern-day romantics and poets may revisit the
language of flowers to lend a special touch. Here is a list of meaningful flowers
and herbs, courtesy of floral designer Sybil Sylvester.
| HERB/FLOWER |
SIGNIFICANCE |
| Heather |
Admiration |
| Hyacinth |
Playful joy |
| Jasmine |
Good nature |
| Marjoram |
Blushes |
| Mimosa |
Sensitivity |
| Mint |
Feeling of warmth |
| Muscari |
Usefulness |
| Pansy |
Loving thoughts |
| Parsley |
Festivity |
| Buttercup |
Childishness and ingratitude |
| Rosemary |
Remembrance |
| Sage |
Domestic virtue |
| Scented geranium |
Preference |
| Sweet pea |
Lasting pleasure |
| Thyme |
Courage and strength |
| Tulip |
Declaration of love |
RESOURCES: Sybil Sylvester, Wildflower Designs, 2829 Second Ave. S., Ste.
10, Birmingham, AL 35233, 205/322-1311, www.wildflowerdesigns.net.
RELATED BOOKS: Tussie-Mussies: The Victorian Art of Expressing Yourself
in the Language of Flowers by Gerladine Adamich Laufer; The Language of
Flowers: Symbols and Myths by Marina Heilmeyer; Language of Flowers
by Kate Greenaway.
|
 |
 |
|
BACK TO TOP |
|
|
|
|
 |
|